During my college years at the Milwaukee Institute of Art and Design from 1991 to 1995, figure drawing became a central focus of my artistic development. These formative years were a time of intense learning and experimentation, as I honed my skills and pushed the boundaries of my creativity. Figure drawing, with its emphasis on anatomy, proportion, and the human form, challenged me to observe and capture the subtleties of the body in motion and at rest. Each session was an opportunity to deepen my understanding of line, shape, and volume, translating the complexities of the human figure onto paper. The studio environment at MIAD was both rigorous and inspiring, fostering a sense of camaraderie among students as we worked alongside one another, sharing techniques and insights. Throughout this period, my approach to figure drawing evolved significantly. Early on, my sketches were tentative and focused on accuracy, striving to achieve realistic representations. Over time, however, I began to explore more expressive and dynamic renderings, experimenting with different media and techniques. Charcoal, graphite, and ink became my tools of choice, each offering a distinct way to convey the energy and emotion of the human form. Reflecting on those years, I realize how foundational my figure drawing practice was to my growth as an artist. It taught me the importance of observation, patience, and the relentless pursuit of improvement. The lessons learned during those formative years continue to inform my work today, serving as a constant reminder of the beauty and complexity of the human form. My time at the Milwaukee Institute of Art and Design was not just an education in technique, but a journey into the heart of artistic expression.